Above all, however, morning air and a promising new approach. Everything And Everybody are the magic of jumping into the unknown and the energy that is inherent in every beginning: raw and bubbly, elegant and proud.
Everything And Everybody indulge in the luxury of strong assertion. And the risk of not defining oneself. Not at the moment. With open structures, the Berlin trio are relying on their intuition, on themselves and on the beauty of coincidence. The three draw from the transitions of music, design and fashion to create electrified pop music, restless funk riffs with heavy 80s impact and sweaty jams for never-ending nights.
In the early 2010s Anton Feist is part of Bodi Bill, a band of the hour that casually combines the loose ends of electronic dance music and folk to create a real momentum. The follow-up project The/Das goes deeper into the search for a noble and embracing techno sound. Feist leaves The/Das, concentrating initially on other things and eventually makes himself available to the Berlin musician Romano. The urge to make his own music always catches up with him.
He meets Nikolas Tillmann (Le Very, NIAS) through Josefine Thomas, who designs and tailors the stagewear for both bands. Tillmann is the first one who doesn't question the music and just sings right onto it. Most recordings are first takes. It just fits. In the same way as Josefine Thomas taking her place. While Feist previously left nothing to chance with Bodi Bill or The/Das, he now pursues a different and refreshing approach. Everybody And Everybody is not about precisely formulated sound. The emphasis is much more on chemistry, attitude and humour. Even if the result is important, the journey there is more important.
Everything And Everybody insist on leaving their comfort zone, pushing themselves against what's coming. If the energy is right, standing and waving is enough.